TOOLBAR • SCALE • GUITAR • INFO • CHORD • DIAGRAM • PIANO • CIRCLE | |||||||||||
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PAGE INDEX Guitar and Piano
The guitar was invented a bit earlier than the piano. So was the harpsichord. In fact, stringed instruments have been around since before the dawn of written history. Pianos and harpsichords were invented to make it easier for "those lacking the subtle dexterity of Olympians," to play music. And they do. Far, far easier. In fact, no instrument comes closer to the quintessence of 12-tone music than the piano. You might say it is the Mac OS of music. Sure, we love stringed instruments for all their nuance and direct feel. And lest we come to disdain the piano, remember: It too is a stringed instrument.
The white keys on a piano contain all the natural notes from the key of C / Am. The black keys are all the sharps and flats that surround C Major (and happen to be the F# Major / Eb minor pentatonic scale.) The relationship between scale tones and piano keys follows the Circle of Fifths: The key of C Major has no black keys. Moving up a Fifth, the key of G gains a black key (F#). Next the key of D gains C#. This progress continues until we get all the way up to B which has all the black keys in the scale. Then F# (Gb) and C# (Db) have all the black keys but different white keys. Beginning with Ab (G#) we begin to lose black keys one at a time until we get back around to C again.
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TOOLBAR • SCALE • GUITAR • INFO • CHORD • DIAGRAM • PIANO • CIRCLE | |||||||||||
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